In 1928, a year afore the banal bazaar blast triggered the Great Depression, a baby French alcazar appeared on an animated bend lot in what would become Hillsdale in Southwest Portland.
The city’s Celebrated Resource Inventory lists the rare, three-level abode with curved, lath-and-plaster walls and a conical-roofed belfry aggressive by a French atom silo as actuality modeled afterwards the Norman Farmhouse style.
Today, the chicken adhesive home with a belted courtyard is declared as Spanish Mediterranean by Justin Harnish of Harnish Properties, who will represent the owners aback the property, which is about a fifth of an acre, is for sale.
Two years afore this home rose from what acclimated to discount dairy and vegetable farms, abounding Portland artist A.E. Doyle advised his alone Norman Farmhouse residence: The massive J. G. Edwards abode in Southwest Hills.
Norman Farmhouse style’s signature appearance are axiomatic beyond about 12,000 aboveboard anxiety of the celebrated mansion, from angled doorways and ellipsoidal bay windows to arresting brick chimneys and bisected timbering trim, which is additionally apparent in English Tudor Revival.
At 3,540 aboveboard feet, the 1928 abode is a mini adaptation of Norman Farmhouse.
Most striking: Wrought adamant with accessory applique is apparent in the adhesive garden wall, and inside, wrought-iron balustrade apprehension up the capital staircase. A adorning adamant aboideau was installed in the angled aperture to the dining room.
Missing: The aboriginal gates on the advanced aperture were removed aback the acreage was abandoned for added than a year afore it was purchased by the accepted owners in 2011.
A metalsmith who visited the abode thinks the ironwork was fabricated by O.B. Dawson, who is best accepted for bearing abundant of the metalwork at Timberline Lodge on Mount Hood, which was congenital by craftspeople and artisans assassin by the Works Progress Administration to adverse job losses during the Great Depression.
Historians aspect the home’s architectural affairs to “Green,” which could be artist Edward J. Green, who advised the Arts and Crafts-style, 1932 Angler’s Club, now a house, in Lake Oswego.
The aboriginal owner, who is alone listed as “Hiller,” had the agency and acknowledgment to use high-quality amber and Douglas fir. Added owners are listed as M. Ertz and W. Herrin.
There are added mysteries: Do the statues depicting a brace and plaques on the access bank acknowledge that the abode was a bells gift?
Identifying the architectonics as Mediterranean is beneath of an enigma. The appearance — with angled windows and doorways, wrought-iron balconies and window grilles, and courtyards — was a assurance of cachet for West Coast houses and affluence “apartment houses” at the about-face of the aftermost aeon until the Depression.
Spanish architectonics was apparent at the awful affecting 1905 Lewis and Clark Centennial Exposition as able-bodied as the 1915 Panama–Pacific International Exposition in San Francisco and the Panama–California Exposition in San Diego, which ran from 1915 to 1917.
The 1928 abode has about all of its aboriginal woodwork and fixtures, and has been able-bodied maintained for about a century, with additions and upgrades fabricated over time.
Five sets of energy-efficient, bifold Andersen doors accessible to the courtyard, which now has a bean broiler and barbecue. There are three added sets of French doors in the ancestors allowance in the aback ancillary of the house, which overlooks the appendage end of Marquam Nature Park.
The accepted owners’ modifications to improve the kitchen, bathrooms and added apartment were fabricated to enhance the original, aeon character.
The exception: A agreement roof was replaced with a 24-gauge animate roof by Pacific West Roofing.
Do you accept added advice about the Norman Farmhouse appearance in Oregon? Email email@example.com.
— Janet Eastman | 503-294-4072
firstname.lastname@example.org | @janeteastman
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